Luisi Myhyv Nua (~??? anos) em Interviu () Nesta cena, Luisi Myhyv tinha ~ ??? anos. Pics. 1. 2. 3. 4. 5. 6. 7. 8. Clips. * A idade da celebridade durante. Luisi Myhyv nua e vídeos sexy! Descubra mais fotos nuas, vídeos e fitas de sexo da Luisi Myhyv no maior catálogo online Luisi Myhyv Nua em Interviu. Interviu cu violonistul Mircea Dumitrescu Brahms Violinkoncert – Leonidas Kavakos – DRSO – Fabio Luisi – Duration: mugge62 51,
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So I would like to start with Mozart, the Italian bel canto, in which there are still many jewels to be discovered.
The orchestration also takes into account the human voice. Because you have in front of you an orchestra, and the sound arrives physically. He is the complete opposite. Of course I am still a not an important conductor, but I am one of the young conductors who conducts a lot, and with some success.
It is important to say this: The conductor is like them. It was something magic. He is the polar star, because his approach to music is completely orgiastic, completely Dionysian, and it is how I came to realize that eroticism exists in music.
The other conductor who I think of as a god is Carlos Kleiber. We are not talking about a conductor who stops the orchestra on cue, or ensuring everybody stays together, or beating the right tempi, in order to ensure the relationship between the stage and the orchestra is perfect.
He is another conductor I follow. He is not a monster or semi-divine. It is difficult and it is a challenge. By returning there, I will close the circle. Alberto Tirola and Fabio Luisi brought me here. I have a lot of ideas about repertoire and how to open up opera to a wider public. It is very sophisticated.
Luisi Myhyv nua
It is a good place for me to start my career. I have high expectations and I am attempting to achieve perfection. Think of all the people who are suffering, the old, the sick and how much they would love to hear opera. Then there are the Italian conductors, because I must not forget that I am Italian.
Then there is Abbado, especially in his lusii 15 years of his life, after his battle with cancer. And the singers are always first, intterviu conductor is second!
In some works the conductor sometimes needs to cut the sonority, changing it from forte to mezzo forte to help the voice, but Vaccai did most of this, so the job is already done. Also we need to change the repertoire a little. In the case of Vaccaj, however, everything has been written with to accommodate the voice. It was the first theatre in which I worked as an assistant. I love both, but at this moment in my life I very happy to do a lot of opera. I am devoted to the festival.
The third thing is breathing, and by this I mean physically. Everything is subservient to the human voice. In Italy we grow up with this music, we have it in our blood. Fabio Luisi, of course, is my mentor, he is more than a guru. I took something from him, especially how to successfully deliver accompanied recitatives.
To do this I need to smile, to breathe, as I am conducting for the audience, and I need to create an emotional intensity. We must cut the snobbery associated with opera and open the doors. I mean the right passion — which is not the same as making big gestures, but is a passion for the job itself, a complete devotion to the itnerviu, to what you are doing.
I demand precision from myself and the orchestra. It is where you can luiwi with the best musicians and singers, and it will allow me to compare myself to the best. The voice is our primitive instrument, which everyone in the world has, and it is spiritual for me.
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My grandmother knows the entire repertoire and never studied music. The voice, however, it is the most interesting instrument in the world, it is the most natural instrument, it is the most distinctive, it is our instrument, it is also the instrument of conductors.
It was the magic. During the first rehearsal people were crying. I would say that, at the moment, it is the works of Verdi in which I can do my best. I include the rich opera houses in this too because it is not just a business, it makes the world more human. Of course, there are two or three numbers that are not in the same class, and the recitatives are not as good as those of Mercadante or Mayr, which have a higher level of musicality and sense of theatre.
It is very difficult to sing, and not a lot of people can sing this repertoire, but his way of treating the vocal material is perfect, like Puccini I would say, both sound so natural, which is not always the case in bel canto.