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Bb Tenor Sax 1.
The first metamorphosis emanates from a single tone, to which the two successive tones from mei theme are added in bell-like chords. Between and in particular there is some brilliant, almost mathematical technical work.
Inthe orchestral version was premiered by the Rotterdam Philharmonic Orchestra. Bb Clarinet II 6.
EXTREME MAKE-OVER – Parts & Score – Just Music – Brass Band Music and CDs
Eb Bass Tuba T. Demo score Extreme Make Over Ha. The scoee section is set as a simple quartet, played and marked semplice by two solo cornets, a horn and euphonium.
Hurtling through each instrumental group, it leads us to a festive conclusion. Eb Alto Sax I 2. Bb Clarinet I 6.
We think it is a fine piece. In fact this section takes close on three minutes to play, but the effect can be spectacularly beautiful. Johan de Meij Born in Voorburg, studied trombone meeij conducting at the Royal Conservatory of Music at The Hague and has earned international fame as a composer and arranger.
European Championships – Extreme Make-Over – Set Test Piece | articles
His catalogue consists of original compositions, symphonic transcriptions and arrangements of film scores and musicals. Bass Bb Trombone T. Bb Trombone I T. English Horn F 1. The overall texture completely changes as individual lines become lost and reappear in different forms, times and settings, and complex rhythmic patterns emerge from what is seemingly musical chaos.
Johan de Meij Johan de Meij Born in Voorburg, studied trombone and conducting at the Royal Conservatory of Music at The Hague and has earned international fame as a composer and arranger.
2005 European Championships – Extreme Make-Over – Set Test Piece
Again the volume throughout is high, so the key scire well mej to play it just below maximum as to create the effects that are written clearly into the score. F Horn III ve. Your browser does not support the audio element. Underscoring this all is an extended Marimba solo which becomes more and more complex as it heads to its conclusion and is joined finally by the xylophone and the remaining brass players.
Again and again little motifs and themes are heard and the detail in the writing is immense. The main theme of the Andante cantabile is based on a Russian folksong. As the title suggests the work develops in almost chameleon like forms from the kernel of the first four notes of the opening stanza.
It is marked Andante Cantabile as befits the original and could easily win or lose the contest for any band if approached in the wrong manner. There then follows an extended build up when the sense of change is palpable entries are marked ppp, but sense meji measured heart beat is audible.
Eb Baritone Sax 2. Eb Horn III 1. F Horn II 2.
Extreme Make-Over (for Wind Orchestra)
It ends with discordance and a final metamorphosis to the last immense chord that closes a scroe of rare brilliance. Percussion Additional Parts [for European countries only] 1. Congratulations are therefore warranted to the organisers and especially the composer for giving us another European test piece that deserves greater exposure than just this single weekend.