Dancing Through the Minefield: Some Observations on the Theory, Method, and Politics in Feminist Literary Criticism: Annette Kolodny: “Dancing Through the. Annette Kolodny quotes. Quote:”Dancing through the Minefield: Some Observations on the Theory, Practice, and Politics of a Feminist Literary Criticism” . Dancing Through the Minefield: Some Observations on the Theory, Practice, and Politics of a Feminist Annette Kolodny – – Feminist Studies 14 (3)
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Therefore, this will move us to pleasure.
Retrieved from ” https: They dreamed, more modestly, of locating a home and a familial human community within a cultivated garden. This article has no associated abstract.
After graduation, she took a position on the editorial staff at Newsweek. Feminism and the Academic Minefield in the s. The Documents of Exploration and Colonization, —”, the comparison of the land to an untouched, virginal paradise begins the exploration. The Western Literature Association awarded the book the Thomas Lyon Prize as “the best book in Western literary and cultural studies published in It embodied, as well as upheld, the dominant ideology of the time, and had implications beyond aesthetic values.
Elaine Showalter – – Critical Inquiry 8 2: But the emphases were different…Avoiding for a time jolodny assertions of a rediscovered Edenwomen claimed the frontiers as a potential sanctuary for an idealized domesticity. Kolodny states that “we appropriate meaning from a text…according the critical assumptions or predispositions conscious or not that we bring to it.
While the book got positive reviews and pioneered the field of feminist ecocriticismKolodny was denied promotion and tenure in the English Department at the University of New Hampshire. Kolodny suggests that if we are going to establish canon functions, first of all we have to forget our own making.
Of these, “Dancing Through the Minefield” is the most well-known, and has been called “the most reprinted essay of American feminist literary criticism”.
Dancing Through the Minefield: I find it difficult to create a summary of this excerpt; I found so much that was enjoyable and noteworthy in it that I fear my summary may be longer than the excerpt itself. Of course, many more women authors have found their ways into the literary canon, and much more feminist literary criticism written by women scholars is being published, much is yet to be settled. There were no triumphant heroes of the order of Daniel Boone or Davey Crockett ; rather, the narratives of these women focused on the triumph of domesticity and order in a wild land.
After serving as dean of Humanities for five years at the University of Arizona, Kolodny wrote this book in order to outline some of the problems facing academic institutions. She examines “the continued repetition of the land-as-woman symbolization in American life and letters” Kolodny, ix. Turning the Lens on “The Panther Captivity”: As an example, literary history is a fiction which we recreate daily when we read it.
Defining Women Through Feminist Practice. What makes any text exciting is when the text gives us the ability to relearn and refine it.
Literary yhrough and with that, the historicity of literature is a fiction. I was quite taken with this excerpt from Kolodny. Our observation and evaluation of any work of art should depend on how we create or reshape our sense of the past.
New Feminist Criticismpp. The Eighteenth Century”, discusses the romanticized agrarian and pastoral ideals that coloured the view of America, especially in its comparisons to ideal lands like Elysium and Arcadiaand the consequences that arose from such ideals, such as the exploitation and alteration of the land. Her major scholarly writings examine the trhough of women on the American frontiers and the projection of female imagery onto the American landscape. Sign in to use this feature. Finally, Kolodny kolodnt to undo the unconsciousness of the reader identified”  in the second part of her theory:.
Like their husbands and fathers, women too shared in economic motives behind emigration ; and like the men, women also dreamed of transforming the wilderness. Retrieved January 10, First, any construction of a literary canon is a social construction; second, readers unconsciously engage texts from a certain point-of-view; and third, this unconscious bias present in all readers must be throuyh and critically re-examined.
You can leave a responseor trackback from your own site. The Twentieth Century”, deals with the increase of industrialization and the yearning both “to return to and to master the beautiful and bountiful thrpugh of the new continent.
Rather, they must be taken into the world through activism. In other words, our history.
ENGL 810: PAB#1: On Annette Kolodny, “Dancing through the Minefield”
She asserts if people are dancnig the women authors they have discovered thus far, then their predecessors, other women authors from the past, must be reevaluated as well. Therefore, many of their. In other words switch traditional roles. Notify me of new comments via email. Rather, the object of pluralism is to make use of multiple critical approaches and to get a fuller appreciation of the variety of meanings which can be present in a single text.
Kolodny suggests that male writers will be good readers if they tried to read works written by women. To find out more, including how to control cookies, see here: Kolodny points that our sense and understanding of our history and our believes in the historical canon does not reflect our full understanding of the past. By continuing to use this website, you agree to their use. Finally, chapter 5, “Making It with Paradise: Ninefield do not read classics in order to recreate the past.
Annette Kolodny – “Dancing Through the Minefield” | literary theory dance party
While Kolodny is specifically speaking of feminist literary criticism, I think that all critics can learn from her elevation of truth and mutual understanding over any one particular ideology danding strain of an ideology. Because of our changed assumptions, circumstances, and requirements, we get different meanings and interpretations of the same text even if we read the text at different times individually or by groups.
In other words, now is the time to switch our traditional roles. She later sued the University of New Hampshire charging sex discrimination and anti-Semitism.
Susan Sellers – Although we may be moving forward in terms of feminist literary criticism, and considering the length of time that has passed since Kolodny wrote her article, it seems we still have a long way to go.