Though we now take the total reliability of CAMCO amplifiers for granted, they really deserve a Near-fills & sub-bass 4x Camco DL/NX with Nxtension. CAMCO DL 2P (?) (S#: TBD) AVERAGE FOR AGE () 2 X WATT PER CHANNEL (4OHM), VOLT, NL4 OUTPUTS, XLR LINK OUTPUTS. List of forums by category Camco DL 2P – Audiofanzine.
|Genre:||Health and Food|
|Published (Last):||26 September 2010|
|PDF File Size:||3.81 Mb|
|ePub File Size:||6.23 Mb|
|Price:||Free* [*Free Regsitration Required]|
I have read 2 differing accounts on the output, one said it will kick out w a channel at 2 ohms, the other said it will do w, same as the P but just at 2 ohms instead of 4.
Dude you are a lifesaver!!! Also there are a lot of switches on the back with no labels. Latest News Speaking after the event, Johannes Raack said, “we are more than satisfied with the very good rear attenuation on the GEO D.
Please help! Need specs CAMCO DL 3000 2P
I really need to find out cos I am building well camcp built for me, since my attempt at cab making was an excercise in firewood another pair of bass bins and I don’t know if I need another amp or not! Forum Permissions You cannot post new topics in this forum You cannot reply to topics in this forum You cannot delete your posts in this forum You cannot edit your posts in this forum You cannot create polls in this forum You cannot vote in polls in this forum.
Here you go buddy: Your welcome, anymore you need just give me a shout. You cannot post new topics in this forum You cannot reply to dl3000-2o in this forum You cannot delete your posts in this forum You cannot edit your posts in this forum You cannot create polls in this forum You cannot vote in polls in this forum.
The DL P was not specced at 2 ohms, but these amps are cakco like tanks. January – Berlin’s festivities for the anniversary of Germany’s reunification were produced by the firm Wohlthat Entertainment, which commissioned Berlin-based PA company artecom to design and install the powerful sound system required for the celebration concert.
Hi, I bought this amp a while ago but as yet have been unsuccesful in finding the exact specs.
And, as expected, there were no complaints that the maximum limits had been exceeded. This page was generated in 0. Though we now take the total reliability of CAMCO amplifiers for granted, they really deserve a special mention here, too.
In addition, specific maximum levels had been set camoc various measuring points in the surrounding area, the most important of which could be found metres behind the stage: Another thing we found really good was the that fact that by using NX controllers with Nxtension expander boards d3000-2p all PA channels, we could control the whole PA system via an Ethersound network and monitor it from FOH for the entire duration of the event.
Just reminded me how heavy amp racks were back then. More thanpeople gathered around the Brandenburg Gate and along the Strasse des If anyone has a user guide or any links that might help me it would be greatly appreciated.
Follow the rules and provide the highest possible volume over the entire sound reinforcement target area – this was the brief the artecom professionals had to fulfil. There were no problems at all at any of the measuring points – and that’s an unbeatable advantage for dl300-02p in cities and xamco a lot about new NEXO system. Juni to celebrate the reunification of East and West Germany. Did a lot of work in the 90’s with these amps and they were worked hard for long periods at all night raves etc.
Pictures and images Camco DL 2P – Audiofanzine
On a stage directly in front of the Gate, artists from a wide range of genres from soloists to big bands, from classical and jazz to rock joined in a high-profile concert. Have looked on that site before and not found that so either it’s very well hidden or they only just el3000-2p it up. At FOH, about 45m canco the stage, 92 dBa were allowed during the day and 87 dBa after 10 o clock at night.
Here, maximum levels of 89 dBA during the day and 84 dBA after 10 o clock were not be exceeded. Strict controls were imposed on the event production team, to keep concert sound within pre-set volume limits.